The first thing that strikes the listener about Shannon McNally is her laid back, sultry, slightly weary approach that is as inviting and comfortable as faded denim jeans and a soft, snug, silk t-shirt. McNally delivers a lyric as gracefully as Gillian Welch or Emmylou Harris with more Hope Sandoval sensuality than Lucinda Williams sadness. McNally’s musings are equal parts back porch, bedroom, bathtub, and dash board. She’s equally convincing with up-tempo rockers and atmospheric country blues as she delicately delivers the line: “I drove that car just as slow as it would go/ Listening for the sound.” Love her stunning interpretation of the Bobby Charles classic “Tennessee Blues.” McNally also does a fine job on Taj Mahal’s “Lovin’ In My Baby’s Eyes.” Elsewhere, McNally exhibits her affinity for Bob Dylan’s seething cynicism, swagger, and twang. The few moments here when you don’t hang on every word, McNally finds ways to keep it interesting. In the liner notes, McNally proclaims: “I’m not entertained by smoke and mirrors. I’m entertained by substance, tone, and a solid groove.” McNally’s musical accompaniment is perfect; subtle, deft, and understated. No wonder, Geronimo was produced by Charlie Sexton, who has captured Shannon McNally’s talent and tremendous appeal.