For his third release as a band leader, the Crescent City’s former resident “pays homage to the tradition.” The title song by George Gershwin tells all: this is a new approach to standard material. Backed by some heavy contemporary mainstream musicians, the album remains consistent throughout, with the rhythm section swinging hard under subtle improvisation.

Although only 30-years-old, Margitza’s playing is mature and controlled, with a smooth and pure bright-edged tone. He expresses himself through note choice and in his own unique approach to phrasing, rather than through exuberant dynamics and spastic runs. Even his fat runs are effortless and in perfect time, and his out-of-range high notes sustain tone and pitch. Pianist Joey Calderazzo complements Margitza perfectly with his smooth style; with single-note phrases in his right hand, he also plays reservedly and can burn smoothly in perfect time. Drummer Jeff “Tain” Watts swings hard on the cymbals and ties it all together following the soloists and the other accompaniment intuitively, and Robert Hurst drives it all with a thumping, full-toned bass.

Margitza’s own “Beware of the Dog” is a minor modal piece with Tom Hagans on trumpet. Hagans’ tone blends with Margitza’s on the haunting gypsyish melody. They explore the basic melodic outline of “On Green Dolphin Street,” Margitza’s straight tone echoing back to Miles Davis’ muted trumpet sound. And on the ballad, “Everything Happens to Me,” Margitza proves his bright tone can also serenade us.