You can’t judge an album by its artwork. Such holds true for the Mark Weliky Trio’s self-titled debut. In stark contrast from what you’d expect from the carefree, self-assured lads who grace the rather garish cover, the young jazz outfit comprised of guitarist Weliky, bassist Martin Masakowski, and drummer Paul Thibodeaux (classmates at UNO) plays with poise, command, and a deep sense of awareness for the forms and figures they explore.

Bandleader Weliky composed 10 of this disc’s 12 tracks. The familiar Henry Mancini classic “The Days of Wine and Roses” opens the disc. A surprising choice, the trio transforms the grand serenade into an intimate swing with Weliky’s effusive lead dancing about Masakowski’s strolling bass and Thibodeaux’s syncopated pitter-patter. A talented composer and a passionate and versatile guitarist, Weliky’s impressionistic compositions, much like his agile solos, swoop and soar keenly and cunningly, with precision and finesse.

Though refined and well rehearsed, early on the youthful trio seems a bit hesitant, their playing more complimentary than adventurous. Yet, all the while, they remain acutely aware of dynamics and texture, establishing a lively, melodic air as they ease into the nimble and exuberant excursion “Butterfly Kisses.” Here they begin to spread their wings, swirling around the beat, each player engaging the space around him. This leads into the album’s centerpiece, “Dragon Dance,” a simmering modal suite which finds the trio exploring a serpentine labyrinth. Mysterious and majestic, the three-part showcase makes for the album’s most intricate and intoxicating foray.

A second cover, Jaco Pastorius’ “Three Views of a Secret,” rounds out the set. Vigorously performed, this bold move leaves a lasting imprint. A tad green, and despite a tendency to play things a bit too straight, the Mark Weliky Trio displays remarkable intra-band unity and a rare knack for turning simple note clusters into lithesome cascades.