Frank Wess, arguably one of the top jazz flutists of the twentieth century, passed away last October at the age of 91. While a member of Count Basie’s marvelous band in the ’50s (he was also a fine tenor saxophonist), Wess became a major figure in bringing the flute as a solo instrument to the attention of jazz audiences. He was truly a jazz master, and was in fact officially recognized as such by the National Endowment of the Arts in 2007.

This recording, Wess’s only all-flute album as a leader, was produced in April, 1981 by the legendary Gus Statiras, a longtime collaborator of George Buck. Statiras put together a remarkably talented quartet to back the flutist: the great Tommy Flanagan, piano; veteran Chuck Wayne, guitar; George Mraz, bass, and Ben Riley, drums. Such experienced and talented musicians make the recording sound as if the group had been working together for years.

The quintet collaborates on four jazz standards plus two Wess originals. What makes this recording somewhat atypical is that Statiras has chosen to include four alternate takes on three of the standards and one of the originals. It’s always fascinating to hear how the solos of top players vary from take to take.

This is, in short, wonderful music. And you’ll learn from it, too.