Does New Orleans need another funk-rock album with Meters/Radiators grooves, lots of chant-along choruses, and songs about hanging out on Frenchmen Street and costuming for Mardi Gras? Well, it just got one, and a pretty good one at that.

From the start, the sound here is familiar but inviting: “Here We Go” charges out with a slinky wah-wah riff and some tasty bass/drum interplay, the chorus: “Live in the now, let me show you how”—shows singer and bassist Dolese’s ability to coin a strong hook, along with the high spirits that he brings to the project. As a singer, Dolese seems to have taken a few pointers from Dr. John, which is appropriate for a guy who used to lead a band called Gris-Gris. (“Sweet Love” in fact harks back to the funky love songs Mac was cutting in the Toussaint era). And though the reference points are obvious, he’s skilled enough with riffs and hooks to bring something fresh to the mix. Co-production by New Orleans Suspects Jake Eckert, who knows this kind of music like the back of his hand, doesn’t hurt either.

“Feathers & Fire” makes a worthy addition to the canon of Mardi Gras Indian songs, with the band riffing away while Romeo Bougere of the 9th Ward Hunters gives the cultural lesson.

“Gentilly” adds a few local references, more funky riffing and chanting, and another dose of wah-wah. Dolese doesn’t put his own bass up front, and instead lets the band work out, but much of the spotlight goes to guitarist Craig Alexander. He’s especially strong on “Caramel and Honey,” which steers toward heavier rock but still sounds New Orleans as all get out. This rockier sound may be the key to Dolese finding more of his own sound; meanwhile he’s honoring the old school with style.