Though there are various interpretations of the urban culture term Black Unicorn, generally it refers to a fundamentally sound African American man. To paraphrase singer-songwriter Christian Simeon from a statement on his website, Black Unicorn is a term used by Black men who vow to be righteous in behavior toward women. It’s not religious-based but derives from upstanding moral character.

Based on a true personal story, this six-song EP is a cathartic concept album about a relationship that ended in flames. For five tracks, it’s evident that the male is disappointed and dejected about his love being unrequited. Simeon doesn’t hold anything back, expressing his emotions freely and tastefully. On the last track, “The End,” Simeon performs a duet with female vocalist L.T. Thomas, who confesses she wasn’t ready for a steady relationship, hence the sabotage.

Inspired by Americana songwriters Lucinda Williams, Anders Osborne and Robert Earl Keen, Black Unicorn is Simeon’s interpretation of mainstream country. Yet, the album doesn’t adhere to the standard Nashville cookie-cutter mold with its heavy bottom end, urban beats and a big guitar sound that’s often rocking and blazing. “Burn” features an infectious eerie guitar growl. “Red Flags” has Allman-esque southern rock guitar tones towards the end. In places, Simeon affects his vocals to be that of a contemporary country artist, notably on “The End,” though his voice works well otherwise. He’s adept at layering tracks, which makes it for a palatable, genre-mixed listen, one that’s more original than the pablum heard on today’s mainstream radio.