Christian McBride’s much anticipated latest release, Christian McBride’s New Jawn: Prime, has definitely been worth the wait. It stands as the second of a series that follows up his similarly named—minus the “Prime”—2018. This extraordinary and highly-respected bassist and composer who has long been ahead of his time with his forward-thinking inspiration has again brought together the cream of the crop musicians who were heard on his previous release. They include saxophonist Marcus Strickland, trumpeter Josh Evan, and drummer Nasheet Wais.

The brilliant musicians in this piano-less quartet hold equal weight throughout with each given plenty of time to stretch out on their own, team individually with their bandmates, and come together as an ensemble.

On first listening to the appropriately named opening cut, “Head Bedlam,” the reaction might be, “Wow, really?” It’s out there to be sure, though it then calms down with the heartbeat of McBride‘s bass—prominent throughout—and then with the entrance of Strickland and later Evan, plus the backbeat provided by Wais. “Prime,” the second selection, remains more light-hearted and melodic and swings with a hard bop state of mind.

The variations in moods, tempos and a plethora of influential sources are staggering. Those elements can be realized on the ultra-fast paced “Obsequious” with trumpet flutters as fast as the wings of a hummingbird pushed forth by the lift of the ever-tonally magnificent drums of Wais. As always, everyone gets in on this adventure.

Happiness prevails on the Latin-tinged “The Good Life” as each artist takes a turn to add their voice to the celebration. This dynamic approach—all for one, one for all—could be considered to be the group’s signature.

Christian McBride’s New Jawn: Prime imparts the embracing gift that is jazz music.