Adam Deitch writes in his liner notes, “I’d like to thank all the drummers who have albums under their own names. Drummers are composers too, and the music in our heads must be heard.” His new album proves the point in droves.

With superb support from keyboardist Wil Blades (playing all the bass lines too), trumpeter Eric “Benny” Bloom and saxophonist Ryan Zoidis, Deitch’s compositions cover all the bases from funky groove to soul jazz and back again. Deitch is a longtime accompanist to guitar legend John Scofield; the master returns the support by appearing on one cut.

If you like jazz with a funky New Orleans drum groove, killer horn parts—including well-thought-out solos and percolating organ—this album is a must-have. Highlights include the title cut, which just jumps out of the speakers. The unison horn parts drive the tune before Blades jumps in with a killer clavinet solo all while his left hand and Deitch’s steady groove keep the rhythm tight.

The album has two solo drum cuts, dubbed “Language Interlude 3” and “Language Interlude 4.” They demonstrate the ancient concept of drums that talk.

Roll the Tape features one ballad. At nearly seven and a half minutes, “Alone Together” allows the musicians to truly express themselves, especially Bloom on a long, reverb-drenched solo. Deitch’s work on the brushes is especially tasty.

Another favorite cut is “7 Down.” It has an infectious, modulating horn part with Bloom taking another wickedly pointed solo.

I would be remiss not to mention the cut “Have Faith,” which starts with a gospel organ part that would not be out of place in the churches of Central City or Tremé. The bouncy groove that follows is absolutely infectious.

Deitch has crafted a great album by taking advantage of the unique skill sets of a great group of players. I can’t wait to hear more of the “music in his head.”