Like the Caribbean Négritude poets Aimé Césaire and Léopold Senghor, Ziggy Marley and his siblings see their music as a vehicle for social protest and asserting the value and dignity of African culture in the Americas. Just as their famous parents did, they feel their music as no less than prophesy, vital to the survival of the black man and ultimately that of all mankind. If one member of the family is troubled, goes their moral reasoning, the entire family is also unbalanced. They also cont...