On Time Ain’t Waitin’, John Fohl adapts James Booker’s arrangement of “Sunny Side of the Street” to the acoustic guitar. If that doesn’t sound like a two-handed game of Twister, imagine the acoustic version of “The Wind Cries Mary” he periodically plays live, arranged to suggest a full band though he plays it solo. The slurs and buzzing strings even hint at the electricity that made Hendrix so unique. Such skills have not only helped Fohl attract loyal followers among fans, but they’...