In 2007, the Folk Alliance hosted a concert by three banjo players at Memphis’s Marriott Hotel. The three men sat in a semi-circle of chairs, the drum-like bodies of the banjos in their laps, the thin sticks of their fretboards pointing to two o’clock. It was a historic occasion, for all three men were African-American, and they were previewing the music that would be released a year later as the landmark Recapturing the Banjo album.